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The Irish bouzouki is a very similar instrument, and is often confused with the octave mandolin, but an Irish Bouzouki has a longer scale length and a different tuning than the octave mandolin. Also, octave mandola is sometimes applied to what in the U.S. is a mandocello .
Other American-made variants include the mandolinetto or Howe-Orme guitar-shaped mandolin (manufactured by the Elias Howe Company between 1897 and roughly 1920), which featured a cylindrical bulge along the top from fingerboard end to tailpiece and the Vega mando-lute (more commonly called a cylinder-back mandolin manufactured by the Vega ...
He began playing guitar at the age of four and, in his teenage years, was mentored by the jazz guitarist Diz Disley. [2] In the 1970s and 1980s, he worked as musical director and record producer for the singers Fred Wedlock [ 3 ] and Brenda Wootton , at the same time establishing his identity as a soloist with the 1981 album, Chris Newman . [ 1 ]
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument.It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola (C 3-G 3-D 4-A 4), a fifth lower than a mandolin. [1]
The mandolin has been a core instrument in bluegrass music from the beginning, along with guitar, fiddle, banjo, upright bass, and sometimes dobro. In the performance of bluegrass music, each instrument has a specific part to play. The mandolin fills three roles at different times during a tune.
A typical line-up of the band when Kelly joined was Imor Byrne (fiddle), Colin Beggan (guitar), John Caulfield (fiddle), Niall Toner (mandolin) and Richard Hawkins (banjo). The band's reputation was such that many visiting U.S. musicians would jam on stage with them and so Kelly got to hear and play with Bluegrass legends like Peter Rowan , Tex ...
Baldassari moved to Nashville in 1985, and founded the Nashville Mandolin Ensemble in 1990. [6] Their musical repertoire included bluegrass, classical, Celtic, and jazz, and they revived the 19th-century mandolin orchestra concept: 11 musicians incorporating mandocello, mandola, guitar and bass.
from audience or band members. Another featured spot in Dubliners performances is the mandolin duet that Barney played with John Sheahan – again with Eamonn Campbell providing guitar accompaniment. As Barney often pointed out to the audience: "It's an Irish duet, so there's three of us going to play it".