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The cajones de rumba are wooden boxes used as rhythmic percussion instruments in some styles of Cuban rumba. There are different types of cajones, namely the cajón tumbadora, the cajón bajo and the cajita, all of which are hand-struck. Cajones arrived to the docks of Matanzas and Havana in the 19th century. They were full of imported fish ...
Sheets of 13 to 19 mm (1 ⁄ 2 to 3 ⁄ 4 inch) thick wood are generally used for five sides of the box. A thinner sheet of plywood is nailed on as the sixth side, and acts as the striking surface or head. The striking surface of the cajón drum is commonly referred to as the tapa. [1] A sound hole is cut on the back side.
Guaguancó is an Afro Cuban couple dance of sexual competition between the male and female. The male periodically attempts to "catch" his partner with a single thrust of his pelvis. This erotic movement is called the vacunao (‘vaccination’ or more specifically ‘injection’), a gesture derived from yuka and makuta [dances], symbolizing ...
Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
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The musician sits on top of the box reaching down to pluck the tongues whilst slapping the sides of the box like a drum. The instrument's evolution and playing style is similar to the cajon box drum. This instrument was very important in the development of Afro-Cuban music as it was one of the basic instruments played by changüí musicians.