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Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword called the Chandrahasa. Since Ravana cried, he was given the name "Ravana" – one who cried. The verses that Ravana sang were collected and became known as the Shiva Tandava ...
The Shivapradosha stotra says when Shiva performs the Sandhya Tandava, the other gods like Brahma, Vishnu, Sarasvati, Lakshmi and Indra play musical instruments and sing Shiva's praises. [7] The Shiva Tandava Stotra is a stotra (Hindu hymn) that describes Shiva's power and beauty, believed to have been written by Ravana, a great devotee of ...
Many stotra hymns praise aspects of the divine, such as Devi, Shiva, or Vishnu. Relating to word "stuti", coming from the same Sanskrit root *stu-("to praise"), and basically both mean "praise". Notable stotras are Shiva Tandava Stotram in praise of Shiva and Rama Raksha Stotra, a prayer for protection to Rama.
Shivastotra (Sanskrit: शिवस्तोत्र), Shivastuti, or Shivastava is a Sanskrit hymn to Shiva. It may refer to: It may refer to: Shiva Tandava Stotra
The song was the Shiva Tandava Stotram. The pleased Shiva bestowed a powerful linga , the Atmalinga (lingam of the soul), his symbol, to be worshipped by Ravana at Lanka, but with the condition that wherever the linga was placed on earth, it would stay there for eternity.
Annapurna Stotra; Ashtalakshmi Stotra; Dakshinamurti Stotra; Hayagriva Stotra; Hari Stotra; Kanakadhara Stotra; Khadgamala Stotra; Mahishasura Mardini Stotra; Rama Raksha Stotra; Shiva Mahimna Stotra; Shiva Tandava Stotra
The Shiva Mahimna Stotra (Sanskrit: शिवमहिम्न:स्तोत्र, romanized: śiva-mahimnaḥ stotra, lit. 'Hymn about the greatness of Shiva') is a Sanskrit composition in praise of Shiva. According to tradition, the hymn is believed to have been composed by a gandharva (celestial musician) named Pushpadanta.
When it requires the world or universe to be destroyed, Shiva does it by the Tandava, [283] and Lasya, which is graceful and delicate and expresses emotions on a gentle level and is considered the feminine dance attributed to the goddess Parvati. [284] [285] Lasya is regarded as the female counterpart of Tandava. [285]