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Fingerweaving is an art form used mostly to create belts, sashes, straps, and other similar items through a non-loom weaving process. Unlike loom-based weaving, there is no separation between weft and warp strands, with all strands playing both roles.
Tyra Shackleford (born in Ada, Oklahoma) is a Chickasaw textile artist who specializes in various hand woven techniques. Her three most prominent weaving techniques are sprang, fingerweaving, and twinning, which all date back prior to European contact, She has opened her traditional form of art to more conceptual and wearable art.
The Ravenstail weaving technique almost went extinct after 200 years of inactivity. [ 9 ] [ 11 ] Cheryl Samuel was the first person to replicate Ravenstail weaving for revival purposes, and by the mid-1980s she had obtained permission from several Pacific Northwest indigenous tribes to revive the art to regularly teach classes on the subject. [ 1 ]
[1] [2] [3] Raranga is a plaiting technique used for making baskets and mats; whatu is a pre-European finger weft twining weaving method used to make cloaks; and whiri is braiding to make cord. [2] [4] [5] Most people weaving traditional Māori textiles were and are women. Traditionally, to become expert a young woman was initiated into Te ...
Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
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The weaving tradition in Acopia nearly disappeared completely as the younger generation did not continue in the footsteps of their elders. The CTTC began working with Acopia in 2006, helping the elders pass on their knowledge to younger generations. There are approximately 30 adult members in Acopia's weaving association and 20 children. [13]
It is the "Jacquard head" that adapts to a great many dobby looms that allow the weaving machine to then create the intricate patterns often seen in Jacquard weaving. Jacquard-driven looms, although relatively common in the textile industry, are not as ubiquitous as dobby looms which are usually faster and much cheaper to operate.