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"The Stars and Stripes Forever" is considered Sousa's most famous composition. [3] A British journalist named Sousa "The March King", in comparison to "The Waltz King" — Johann Strauss II. [4] However, not all of Sousa's marches had the same level of public appeal. [2] Some of his early marches are lesser known and rarely performed. [2]
Stars and Stripes Forever became the last of the studio's major musicals filmed in the traditional, full-screen format. The film was well received by critics and audiences. Film Bulletin reported: "This lively and ingratiating biography of John Philip Sousa... is the kind of movie that will send patrons marching to theatre boxoffices everywhere.
Songs of Grace and Glory (1892) The Salute of the Nations (1893) Rose, Thistle and Shamrock (1901) In the Realm of the Dance (1902) A Day at Great Lakes (1915) On the 5:15 (1916) In Pulpit and Pew (1917) A Study in Rhythms (1920) An Old-Fashioned Girl (1922) Music of the Minute (1922) The Merry-Merry Chorus (1923) On With The Dance (1923)
Sousa retired from touring in 1931 and died a year later, on March 6, 1932. By that time, popular musical tastes had passed him by. Americans were into swing music now.
Most march composers were from the United States or Europe. Publishing new march music was most popular during the late 19th and early 20th centuries; sponsors of the genre began to diminish after that time. Following is a list of march music composers whose marches are still performed in the United States. Russell Alexander (1877–1915)
High School Cadets quickly became one of Sousa's most popular marches. Just four years after its composition, the Nebraska State Journal listed it as one of the composer's "most notable" marches, along with Washington Post March, Liberty Bell March, and several others. [3]
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The Thunderer" is a march composed by John Philip Sousa in 1889. [1] The origin of the name is not officially known, though it is speculated that the name is attributed to Myron M. Parker, a prominent DC politician and Freemason. It is also one of Sousa's most famous compositions.