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"O Fortuna" is a movement in Carl Orff's 1935–36 cantata Carmina Burana. It begins the opening and closing sections, both titled "Fortuna Imperatrix Mundi". The cantata is based on a medieval Goliardic poetry collection of the same name, from which the poem "O Fortuna" provides the words sung in the movement. It was well-received during its ...
It is a complaint about Fortuna, the inexorable fate that rules both gods and mortals in Roman mythology. In 1935–36, "O Fortuna" was set to music by German composer Carl Orff as a part of "Fortuna Imperatrix Mundi", the opening and closing movement of his cantata Carmina Burana. It was first staged by the Frankfurt Opera on 8 June 1937.
Fortuna (Latin: Fortūna, equivalent to the Greek goddess Tyche) is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance.
The wheel belongs to the goddess Fortuna (Greek equivalent: Tyche) who spins it at random, changing the positions of those on the wheel: some suffer great misfortune, others gain windfalls. The metaphor was already a cliché in ancient times, complained about by Tacitus , but was greatly popularized for the Middle Ages by its extended treatment ...
His second, O Fortuna (2009), co-produced by composer Karl Jenkins, [13] included duets with Kiri te Kanawa and Bryn Terfel. Rhydian was a guest on Morriston Orpheus Choir's CD To Where You Are (Sain, 2011). [14]
Articles relating to the goddess Fortuna, the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. She is identified with the Greek goddess Tyche.
R.S. Conway compared Nortia to the Venetic goddess Rehtia, whose name seems to be the Venetic equivalent of Latin rectia, "right, correct." Bronze nails finely inscribed with dedications were found within a temple precinct thought to have been that of Rehtia at Ateste (modern Este). The heads of the nails have links that attach them to small ...
Dawn DeDeaux, Goddess Fortuna and Her Dunces in An Effort to Make Sense of It All, multimedia installation for Prospect New Orleans, 2011. The Space Clowns images became part of DeDeaux's large-scale, mixed-media "MotherShip" project, which took Stephen Hawking ’s assertion that humanity had 100 years left—not to save the Earth but to leave ...