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Naomi Novik has mentioned writing fanfic for television series and movies, [60] and says she'd be thrilled to know that fans were writing fanfic for her series (though she also said she'd be careful not to read any of it); Anne McCaffrey allowed fan fiction, but had a page of rules [61] she expected her fans to follow; Anne Harris has said, "I ...
An original character (OC) typically refers to a type of fictional character that is created by a member of a fandom. They are a non- canonical character created by the author of fan fiction , a fan artist , or creator of another fan work, who exists within a certain fictional universe and may interact with existing characters or locations.
Takes on both male and female forms, alternating between using he/him and she/her pronouns, and does not feel like he has a gender or orientation. [125] Eleodie Maracavanya Star Wars: Aftermath: Chuck Wendig: Non-binary 2015–2017 A pirate ruler referred to by either male, female or gender-neutral pronouns like "zhe" or "zher". [126] [127] Mogumo
Archive of Our Own (AO3) is a nonprofit open source repository for fanfiction and other fanworks contributed by users. The site was created in 2008 by the Organization for Transformative Works and went into open beta in 2009 and continues to be in beta. [2]
Max is a young trans male character, with gender being only "one piece of hir personality puzzle" in this play. [225] Vicky Nicola Bland and Stacey Bland Call Me Vicky: 2019 This play tells the story of their mother, [231] Vicky, her trials and tribulations in transiting from male to female, [232] with Vicky ultimately transitioning by the end ...
Femslash or femmeslash is a subgenre of slash fiction which focuses on romantic and/or sexual relationships between female fictional characters. [47] Typically, characters featured in femslash are heterosexual in the canonical universe; however, similar fan fiction about lesbian characters are commonly labeled as femslash for convenience. [48]
For example, an AU fan fiction might imagine what would have taken place if the plot events of the source material had unfolded differently, or it might transpose the characters from the original work into a different setting to explore their lives and relationships in a different narrative context. Unlike typical fan fiction, which generally ...
Fictosexuality and fictromance are occasionally regarded as a form of parasocial relationship in media studies and game studies. [10] [11] Xiwen Liao claims that research on parasocial relationships often centers on unidirectional attachment from the audience to the character, thereby overlooking the intricate and diverse relationships between fictosexuals or fictromantics, and fictional ...