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European strapwork is a frequent background and framework for grotesque ornament – arabesque or candelabra figures filled with fantastical creatures, garlands and other elements – which were a frequent decorative motif in 16th-century Northern Mannerism, and revived in the 19th century and which may appear on walls – painted, in frescos ...
Stucco relief was used in the architectural decoration schemes of many ancient cultures. Examples of Egyptian , Minoan , and Etruscan stucco reliefs remain extant. In the art of Mesopotamia and ancient Persian art there was a widespread tradition of figurative and ornamental internal stucco reliefs, which continued into Islamic art , for ...
Stucco plaster reliefs, such as this work at the Château de Fontainebleau, were hugely influential in Northern Mannerism. A plaster low-relief decorative frieze is above it. Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements. [1]
Decorative plaster mouldings and coving in a late Victorian town house in South Wales. Decorative mouldings have been made of wood, stone and cement. Recently [when?] mouldings have been made of extruded polyvinyl chloride (PVC) and expanded polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost ...
The terms "stucco" and "plaster" are used almost interchangeably in this context to denote most types of stucco or plaster decoration with slightly varying compositions. [1] This decoration was mainly used to cover walls and surfaces and the main motifs were those predominant in Islamic art : geometric , arabesque (or vegetal), and calligraphic ...
In the 14th century, decorative plasterwork called pargeting was being used in South-East England to decorate the exterior of timber-framed buildings. This is a form of incised, moulded or modelled ornament, executed in lime putty or mixtures of lime and gypsum plaster.
Berlin porcelain plate.. Pâte-sur-pâte is a French term meaning "paste on paste". It is a method of porcelain decoration in which a relief design is created on an unfired, unglazed body, usually with a coloured body, by applying successive layers of (usually) white porcelain slip (liquid clay) with a brush.
Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made may be plasterwork, carved wood or other decorative medium. [3] More loosely, "frieze" is sometimes used for any continuous horizontal strip of decoration on a wall, containing figurative or ornamental motifs.