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Pointed arches form the rib vaults of Worcester Cathedral (1084–1504) A pointed arch, ogival arch, or Gothic arch is an arch with a pointed crown meet at an angle at the top of the arch. [1] Also known as a two-centred arch, its form is derived from the intersection of two circles. [2]
Depiction of the book of life. In Judaism, Christianity and Islam ( Angels) the Book of Life (Biblical Hebrew: ספר החיים, transliterated Sefer HaḤayyim; Ancient Greek: βιβλίον τῆς ζωῆς, romanized: Biblíon tēs Zōēs Arabic: سفر الحياة, romanized: Sifr al-Ḥayā) is an alleged book in which God records, or will record, the names of every person who is ...
A very narrow, steeply pointed ogive arch is sometimes called a "lancet arch". The most common form is an equilateral arch , where the radius is the same as the width. In the later Flamboyant Gothic style, an " ogee arch ", an arch with a pointed head, like S-shaped curves, became prevalent.
The defining characteristic of the Gothic style is the pointed arch, which was widely used in both structure and decoration. The pointed arch did not originate in Gothic architecture; they had been employed for centuries in the Near East in pre-Islamic as well as Islamic architecture for arches, arcades, and ribbed vaults. [57]
An accolade is a pointed arch composed of two ogee curves, also known as sigmoid lines, which mirror one another. [3] [1] It can be formed by a pair of reverse ogee curves over a three-centred arch ending in a vertical finial. [4] [5] The form can also be described as the combination of a convex arch and a concave arch. [6]
Pointed arch bridge: The earliest known bridge resting on a pointed arch is the 5th or 6th century AD Karamagara Bridge in Cappadocia. Its single arch of 17 m spanned an affluent of the Euphrates. A Greek inscription, citing from the Bible, runs along one side of its arch rib.
Romanesque architecture [1] is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. [2] The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches.
At least in later Orthodox images, each bar of this cross is composed of three lines, symbolising the dogmas of the Trinity, the oneness of God and the two natures of Christ. In mosaics in Santa Maria Maggiore (432–40) the juvenile Christ has a four-armed cross either on top of his head in the radius of the nimbus, or placed above the radius ...