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Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer.
Video editing is the post-production and arrangement of video shots. To showcase excellent video editing to the public, video editors must be reasonable and ensure they have a thorough understanding of film, television, and other sorts of videography. [1]
Editing is a growing field of work in the service industry. There is little career training offered for editors. [20] Paid editing services may be provided by specialized editing firms or by self-employed editors. Editing firms may employ a team of in-house editors, rely on a network of individual contractors or both. [21]
Schoonmaker is among the deans of film editing; Powell is the son of Michael Powell, a prominent film director to whom Schoonmaker was married until his death in 1990. Conrad A. Nervig was the inaugural winner, winning for Eskimo (1933). He also won for King Solomon's Mines (1950), alongside Ralph E. Winters.
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. [1]
A non-linear editing system (NLE) is a video editing (NLVE) program or application, or an audio editing (NLAE) digital audio workstation (DAW) system. These perform non-destructive editing on source material. The name is in contrast to 20th-century methods of linear video editing and film editing.
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
Fast cutting is a film editing technique which refers to several consecutive shots of a brief duration (e.g. 3 seconds or less). [1] It can be used to quickly convey much information, or to imply either energy or chaos.