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Kamancheh. The kamancheh (also kamānche or kamāncha) (Persian: کمانچه, Azerbaijani: kamança, Armenian: քամանչա, Kurdish: کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, [1] Azerbaijani, [2] Armenian, [3] Kurdish, [4] Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument.
The bow is a separate tool and necessary for the use of the instrument. Its name comes from the arc created by its fibers. It is a long wooden instrument, about 50 to 60 cm long, that has two sides, the front side has a bundle of fibers that end at its ends. The fibers passing from one end end at the other where they are tied there with leather.
Taleb is celebrated for his mastery of the kamancheh, an ancient Persian bowed string instrument, which he pushes to its artistic limits by incorporating both traditional and modern techniques. [ 2 ] His passion for Persian classical music and folk traditions led him to study at Iran's Azar Mehr Folklore Academy and the Kamkarha Academy for ...
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).
A goblet drum with a body made of clay. It is similar to the tonbak and used in Afghanistan. The skin has a black spot called siyahi, made of tuning paste. Drum influenced by India with technique that draws on Persian Tonbak and Indian tabla and darbuka. Zu-jalal A kind of frame drum with bells. zorkhaneh beat ضرب زورخانه
The classical kemenche (Turkish: Klasik kemençe), Armudî kemençe ('pear-shaped kemenche') or Politiki lyra (Greek: πολίτικη λύρα, 'Constantinopolitan lyre') is a pear-shaped bowed instrument that derived from the medieval Greek Byzantine lyre.
The tar (from Persian: تار, lit. 'string') (lit: "String") is a long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan (Iranian Plateau), Turkey, and others near the Caucasus and Central Asia regions.
Kamancheh has gone from having 2 strings to having 3, 4 or even 5. Prominent Azeri sazanda Sadigjan developed a new version of tar (nowadays known as the Azeri tar or the Caucasus tar) by adding one more string to this once 6-string instrument and improving it with a number of new features. [ 3 ]