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The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and
Sheets of 13 to 19 mm (1 ⁄ 2 to 3 ⁄ 4 inch) thick wood are generally used for five sides of the box. A thinner sheet of plywood is nailed on as the sixth side, and acts as the striking surface or head. The striking surface of the cajón drum is commonly referred to as the tapa. [1] A sound hole is cut on the back side.
Slit drum: Both 111.24 Idiophone Snare drum: Unpitched 211.212.1 Membranophone Song bells: Pitched Idiophone Sounding stone: China Idiophone Spoon: Greece, Russia, Turkey Unpitched 111.14 Idiophone Steelpan: Trinidad & Tobago Pitched 111.241.12 and 111.241.22 Idiophone [7] Also known as steel drum: Stomp box: Unpitched 111.24 Idiophone Stone ...
The snare drum is one of the most easily recognizable instruments in the entire percussion section. Also called the side drum, the snare drum is often used as a means of accenting rhythms from other families of instruments within the orchestra or as a soloistic type, particularly in pieces that may have a "military" type theme or sound to them.
Snare technique is the technique used to play a snare drum. It is studied as an end to itself by snare drummers, and as a way of developing stick control skill by kit drummers and players of other auxiliary percussion instruments. Snare drum is the first instrument that most percussionists learn to play.
Caixa de guerra, a deeper snare drum w/ wires on batter head and tarol , a thinner snare drum. Cuica, a single headed drum with a stick mounted inside the drum body, perpendicular to the head. The instrument is played by rubbing a damp cloth along the length of this stick, while pressing the head of the drum with a finger or thumb.
The origin of snare drum rudiments can be traced back to Swiss mercenaries armed with long polearms. The use of pikes in close formation required a great deal of coordination. The sound of the tabor was used to set the tempo and communicate commands with distinct drumming patterns. These drumming patterns became the basis of the snare drum ...
The method involves not crossing the hands when playing the hi-hat (or ride-cymbal) and snare drum simultaneously as opposed to the more traditional way of playing drums which features crossed hands as the basic playing position. [1] Absolute beginners often choose this open-handed way of playing as their first and natural attempt at drumming.