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Chinese paper cutting, in a style that is practically identical to the original 6th-century form. Jianzhi (Chinese: 剪紙, pinyin: jiǎnzhǐ) is a traditional style of papercutting in China, and it originated from cutting patterns for rich Chinese embroideries and later developed into a folk art in itself.
Paper cut sculpture, a form of papercutting, is a contemporary development of a traditional art form. Instead of flat, two-dimensional pieces, the art is given a three-dimensional form. Different artists have used a variety of different methods.
Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
Shanghai-style papercutting is a variety of papercutting practiced in south China, and in particular in Shanghai.. The making of papercuts is a popular folk art in China. In the hands of an artisan, and with the help of a knife or a pair of scissors, a piece of paper can be turned into any of a wide variety of patterns – landscapes, flowers, birds, animals and human figures.
In the United States, the term kirigami was coined by Florence Temko from Japanese kiri, ' cut ', and kami, ' paper ', in the title of her 1962 book, Kirigami, the Creative Art of Paper cutting. The book achieved enough success that the word kirigami was accepted as the Western name for the art of paper cutting.
The museum contains paper-cut works by Zhang Xiufang and Zhang Muli, in addition the museum contains lamps decorated with paper cuts. [7] In 2016, the museum organized an exhibition with works by Hsing Yun. The museum also houses works by Zhao Hongmei and Zhang Yongshou. [8] The museum is divided into four sections [9]
Paper texture limits what can be done with the calotype process. This texture can be seen by holding a piece of copier paper up to the light: the way fibers clump in the paper making process causes a relatively low contrast pattern that may remind one of bushes growing on a hillside.
Paper cutters were developed and patented in 1844 by French inventor Guillaume Massiquot. Later, Milton Bradley patented his own version of the paper cutter in 1879. [1] Since the middle of the 19th century, considerable improvements to the paper cutter have been made by Fomm and Krause of Germany, Furnival in England, and Oswego and Seybold in the United States.