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The 1732 edition (which displays at the bottom of the title page the legend "Note: This is more Corect [] than the former Edition") was mostly reprinted from the plates of an earlier 1730 publication, titled Sonates pour un Traversiere un Violon ou Hautbois Con Basso Continuo Composées par G. F. Handel—purportedly printed in Amsterdam by Jeanne Roger, but now shown to have been a forgery by ...
Bartók assigned opus numbers to his works three times. He ended this practice with the Violin Sonata No. 1, Op. 21 in 1921, because of the difficulty of distinguishing between original works and ethnographic arrangements, and between major and minor works. Since his death, three attempts—two full and one partial—have been made at cataloguing.
The Sonata in F major (HWV 369) was composed (before 1712) by George Frideric Handel for recorder and basso continuo (the autograph manuscript, a fair copy made most likely in 1712, gives this instrumentation in Italian: "flauto e cembalo"). [1] The work is also referred to as Opus 1 No. 11, and was first published in 1732 by Walsh.
In music, Op. 1 stands for Opus number 1. Compositions that are assigned this number include: Bach – Partitas for keyboard; Bartók – Rhapsody;
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Piano Sonata Op.1: Scores at the International Music Score Library Project; recording by Jonathan Biss from the Isabella Stewart Gardner Museum in MP3 format; Recording by Harvard Fellow Seda Röder; Recording by Dr. Willis G. Miller, III; Recording of the Theo Verbey orchestration by Riccardo Chailly and the Royal Concertgebouw Orchestra
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Opus One may refer to: "Opus No. 1", a tune by Sy Oliver and Sid Garris "Opus Number One", a composition known for its use as music on hold; Opus 1, by Yugoslav progressive rock band Opus; Opus One Winery, United States; An alternative title for the 1971 demo versions of Mike Oldfield's 1973 album, Tubular Bells