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Name Description Alternate Names Date Vedas: Sacred hymns on 5 supreme gods led by Surya, which are a large body of texts originating in ancient India.Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism.
Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
For example, the native Hindi word karnā is written करना (ka-ra-nā). [60] The government of these clusters ranges from widely to narrowly applicable rules, with special exceptions within. While standardised for the most part, there are certain variations in clustering, of which the Unicode used on this page is just one scheme.
Teentaal (alternatively spelled tintal, teental, or tintaal, and also called trital; Hindi: तीन ताल) is the most common taal of Hindustani music, and is used for drut (fast tempo). It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid.
In ektal the 12 matras are divided into 6 vibhags of two matras each. Ektal is played in Drut gatti ( fast speed ). This tala is mostly played by the use of tabla. One more tala similar to Ektal is Chowtal which is played with the use of Pakhavaj, Ektaal is the tabla counterpart of Chowtaal. Many beautiful Kaida are played in Ektal.
In Indian classical music, a Matra [1] is a beat, the smallest rhythmic sub-unit of a tala - the musical meter. It is one of the three levels of structure for tala [ 2 ] along with Vibhag (measure) [ 3 ] and Avartan (cycle). [ 4 ]
Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. [1] Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas ...
Hindustani does not distinguish between [v] and [w], specifically Hindi. These are distinct phonemes in English, but conditional allophones of the phoneme /ʋ/ in Hindustani (written व in Hindi or و in Urdu), meaning that contextual rules determine when it is pronounced as [v] and when it is pronounced as [w].