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Self-Portrait at the Age of 63 is a self-portrait by the Dutch artist Rembrandt. One of three dating to 1669, it was one of the last in his series of around 80 self-portraits, painted in the months before his death in October 1669. Despite the closeness of his death, and the concentration on his aging face, Rembrandt makes an impression of a ...
The panel was slightly cropped later; the roughly blocked out hand was revealed during a restoration. Originally it must have been painted out by Rembrandt himself Self-Portrait at the Age of 34: 1640: Oil on canvas: 93 x 80: National Gallery, London: 179: Portrait of a Woman, possibly Anna Wijmer: 1641: Oil on panel: 99.5 x 81.5: Six ...
Self Portrait, oil on canvas, 1652. Kunsthistorisches Museum, Vienna.The first for several years. As in the drawing of the same year, Rembrandt wears his working clothes, except perhaps for his hat, which draws on historical styles and earlier portraits.
Self-portraits by young people inspired by Rembrandt's work are on display alongside the painting.
B21, Self-portrait leaning on a Sill, etching, 1639, 2 states. The pose draws on portraits by Titian and Raphael, A Man with a Quilted Sleeve (NG, London) and Portrait of Baldassare Castiglione (Louvre) respectively. [1] Self-Portrait at the Age of 34 is a self-portrait by Rembrandt, dating to 1640 and now in the National Gallery in London.
Self-Portrait with Beret and Turned-Up Collar is a 1659 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt.It has been noted as a self-portrayal of subtle and somber qualities, a work in which may be seen "the stresses and strains of a life compounded of creative triumphs and personal and financial reverses".
English: Rembrandt, Self Portrait at the Age of 34. National Gallery. ... User:Jane023/Paintings in the National Gallery; User:Jane023/Rembrandt catalog raisonné ...
[k] In his portraits and self-portraits, he angles the sitter's face in such a way that the ridge of the nose nearly always forms the line of demarcation between brightly illuminated and shadowy areas. A Rembrandt face is a face partially eclipsed; and the nose, bright and obvious, thrusting into the riddle of halftones, serves to focus the ...