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  2. Self-portraits by Rembrandt - Wikipedia

    en.wikipedia.org/wiki/Self-portraits_by_Rembrandt

    B22, Self Portrait Drawing at a Window, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. [46] The last etching but for two sketches, and one of the "official" etched self-portraits. [33]

  3. Self-Portrait at the Age of 34 - Wikipedia

    en.wikipedia.org/wiki/Self-Portrait_at_the_Age_of_34

    B21, Self-portrait leaning on a Sill, etching, 1639, 2 states. The pose draws on portraits by Titian and Raphael, A Man with a Quilted Sleeve (NG, London) and Portrait of Baldassare Castiglione (Louvre) respectively. [1] Self-Portrait at the Age of 34 is a self-portrait by Rembrandt, dating to 1640 and now in the National Gallery in London.

  4. Self-Portrait (Rembrandt, Vienna) - Wikipedia

    en.wikipedia.org/wiki/Self-Portrait_(Rembrandt...

    Rembrandt. Self Portrait, c. 1655. Oil on panel, 48.9 x 40.2 cm. Kunsthistorisches Museum. Self Portrait (or The Large Self-Portrait) [1] is an oil-on-canvas painting by the Dutch artist Rembrandt. Painted in 1652, it is one of more than 40 painted self-portraits by Rembrandt, and was the first he had painted since 1645. [2]

  5. List of etchings by Rembrandt - Wikipedia

    en.wikipedia.org/wiki/List_of_etchings_by_Rembrandt

    Self portrait in a cloak with a falling collar: bust: 1630-1631 B366: 1: Sheet of studies of men's heads: About 1630-31 B007: 11: Self portrait in a soft hat and embroidered cloak: 1631 B016: 1: Self portrait in a heavy fur cap: bust: 1631 B134: 3: Old woman seated in a cottage with a string of onions on the wall: 1631 B135: 5: Peasant with his ...

  6. Rembrandt self-portrait goes on display in Brighton - AOL

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  7. Self-Portrait with Dishevelled Hair - Wikipedia

    en.wikipedia.org/wiki/Self-portrait_with...

    Self-portrait at an early age shows the artist in a relaxed state. With that, the portrait is clearly not a tronie, focused on the study of faces. Rembrandt, early in artistic development, concentrates mainly on the effect of light and how it falls on various materials, including the skin and the wall; practising the technique of chiaroscuro.