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Vinyl, acetate, and shellac discs being exposed to soil and fungus spores. Library of Congress Study, 1959. The conservation and restoration of vinyl discs refers to the preventive measures taken to defend against damage and slow degradation, and to maintain fidelity of singles, 12" singles, EP’s, and LP’s in 45 or 33⅓ rpm 10" disc ...
Record restoration, a particular kind of audio restoration, is the process of converting the analog signal stored on gramophone records (either 78 rpm shellac, or 45 and 33⅓ rpm vinyl) into digital audio files that can then be edited with computer software and eventually stored on a hard-drive, recorded to digital tape, or burned to a CD or DVD.
Digital audio has also enabled dramatic improvements in the restoration and remastering of acoustic and pre-digital electric recordings, and even freeware consumer-level digital software can very effectively eliminate scratches, surface noise and other unwanted sonic artifacts from old 78rpm and vinyl recordings and greatly enhance the sound ...
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Audio restoration is the process of removing imperfections (such as hiss, impulse noise, crackle, wow and flutter, background noise, and mains hum) from sound recordings. Audio restoration can be performed directly on the recording medium (for example, washing a gramophone record with a cleansing solution), or on a digital representation of the ...
New sound restoration techniques developed for the American Epic film series were utilized to restore the fourteen recordings on the album. [14] The 78rpm record transfers were made by sound engineer Nicholas Bergh using reverse engineering techniques garnered from working with the restored first electrical sound recording system from the 1920s in The American Epic Sessions. [15]