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An unnamed vulture who appeared in several multi-commercial segments Sundae: 1999–2000s: Ronald McDonald's dog Iam Hungary: 1998–2001: A floating, fast green fuzzball with orange arms and monstrous face Mike the Microphone: 1980s: A one time character who guarded door and ran studio in McDonaldland Magical Radio Station Dr. Berlin Fries: 2010s
The Chrysler Turbine Car is an experimental two-door hardtop coupe powered by a turbine engine and was manufactured by Chrysler from 1963 to 1964. Italian design studio Carrozzeria Ghia constructed the bodywork, and Chrysler completed the final assembly in Detroit.
The VIP was visually differentiated with a four headlight grille, unique tail-lights and a “limousine” rear window. [2] The car was badged and marketed as the “VIP by Chrysler”, [ 7 ] unlike the VE model, which was a Chrysler Valiant VIP. [ 2 ]
1956 concept car. The Centurion name was first used on a Buick concept car in the 1956 Motorama.It featured a red and white fiberglass body, airplane-like interior design, a fully clear "bubble top" roof and the first backup camera in place of a rear-view mirror, although it was never shown to be functional.
The Corolla E20 was the second generation of cars sold by Toyota under the Corolla nameplate. Launched in May 1970, it featured "coke bottle styling" and had a longer 2,335 mm (91.9 in) wheelbase.
This generation of Firebirds were available in coupe form only; after the 1969 model year, convertibles were not available until 1989. Replacing the "Coke bottle" styling was a more "swoopy" body style, while still retaining some traditional elements. The top of the rear window line went almost straight down to the lip of the trunk lid.
Like Cola was a cola soft drink, introduced by the 7 Up company (then under the ownership of Philip Morris), that appeared in the American market in 1982. Its slogan was "Made From The Cola Nut." Like Cola was one of the first attempts at a low-caffeine cola, containing 1% caffeine. It was packaged in a red and blue can.
The advertising campaign was marked by noticeable animosity between Welles and the advertising agency which commissioned the ads, DDB Needham.Welles once complained to his regular lunching companion, the director Henry Jaglom, "I have never seen more seedier, about-to-be-fired sad sacks than were responsible for those Paul Masson ads.