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Beck added that Edge of Tomorrow is influenced by several war films, but "in many of those films the music ignores the patriotic aspects, and emphasizes tragedy, or fear, as in Saving Private Ryan or The Thin Red Line (1998)". For this film, he went for a non-patriotic approach" and went for "colors that were more black and grey than red, white ...
"Seventy-Six Trombones" is a show tune and the signature song from the 1957 musical The Music Man, by Meredith Willson, a film of the same name in 1962 and a made-for-TV movie in 2003. The piece is commonly played by marching bands, military bands, and orchestras.
Edge of Tomorrow topped the Chinese box office with $26.7 million, [75] encompassing 4.06 million admissions in 99,768 screenings. [76] Edge of Tomorrow ' s debut in both Russia ($8.6 million) and South Korea ($3.8 million, taking advantage of a five-day holiday) marked Tom Cruise's highest-grossing opening weekend in both countries. [77] [78]
In the stage and film productions of The Music Man, set in 1912, character Harold Hill mentions Conway in the introduction to "Seventy-Six Trombones" alongside other famous bandleaders like Patrick Gilmore and John Philip Sousa. All three were inaugural members of the National Band Association Hall of Fame of Distinguished Band Conductors in 1980.
Edge of Tomorrow From a page move : This is a redirect from a page that has been moved (renamed). This page was kept as a redirect to avoid breaking links, both internal and external, that may have been made to the old page name.
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The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones , Buddy Hackett , Hermione Gingold , Ronny Howard , and Paul Ford .
The Music Man (full title Jimmy Giuffre and his Music Men Play The Music Man) is an album by American jazz composer and arranger Jimmy Giuffre featuring tunes from Meredith Willson's 1957 Broadway musical, The Music Man which was released on the Atlantic label in February 1958. [1] [2]