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In the 1950s, stereo cameras gained some popularity with the Stereo Realist and similar cameras that employed 135 film to make stereo slides. 3D pictures following the theory behind stereo cameras can also be made more inexpensively by taking two pictures with the same camera, but moving the camera a few inches either left or right.
The Kodak Stereo Camera in particular, which was both less expensive and easier to use, might have outsold the Realist, had it been released prior to the end of 1954. By the mid-1950s, the public's fascination with stereo imaging was fading, and by 1960 the Stereo Realist was the only stereo camera of the 1950s era that was still manufactured. [1]
3D Camera 3D output via HDMI or USB C Sharp mova SH251iS [1] 2002-11-16 Japan Parallax barrier No No Sharp mova SH505i [2] 2003-06-20 Japan Parallax barrier No No Samsung SCH-B710 [3] 2007-07-11 South Korea Parallax barrier Yes No Hitachi Wooo Ketai H001 [4] 2009-02-06 Japan Cell-matrix parallax barrier No No Samsung AMOLED 3D SCH-W960 [5] 2010 ...
The View-Master Personal Stereo Camera was a 35mm film camera designed to take 3D stereo photos for viewing in a View-Master.First released in 1952, the camera took 69 pairs of photos on a 36-exposure roll of 35mm film, taking one set while the film was unwound from the canister, and another set while it was rewound.
The Harman/Kardon GPS/stereo with six speakers and the rear-view backup camera is installed only on vehicles with the voice recognition NavPlus system. The standard stereo system uses the Harman/Kardon sourced in-dash six-disc CD auto-changer.
Image strip from Kodak stereo camera. The Kodak Stereo camera has a notch above the left eye image between P1 and P2 and above the right eye image it has a two notches, one between P3 and P4 and another between P4 and P5. Image 28A is the right eye image with 30/30A being the left eye image of the same pair.