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"Black Coffee" is a song with music by Sonny Burke and words by Paul Francis Webster. The song was published in 1948. Sarah Vaughan charted with this song in 1949 on Columbia; arranged by Joe Lipman, it is considered one of the most notable versions. [1] Peggy Lee recorded the song on May 4, 1953, [2] and it was included on her first LP record ...
"Think for Yourself" has a 4/4 time signature and is set to a moderate rock beat. [21] After a two-bar introduction, the structure comprises three combinations of verse and chorus, with the final chorus being repeated in full, followed by what musicologist Alan Pollack terms a "petit-reprise of the last phrase" to close the song. [22]
If You Could See Me Now" is a 1946 jazz standard, composed by Tadd Dameron. [1] He wrote it especially for vocalist Sarah Vaughan , [ 2 ] a frequent collaborator. Lyrics were written by Carl Sigman and it became one of Vaughan's signature songs, inducted into the Grammy Hall of Fame in 1998. [ 3 ]
If My Friends Could See Me Now; If You Are But a Dream; If You Could See Me Now; If You Never Come Home to Me (orig. Inútil Paisagem) I'll Be Hard to Handle; I'll Be Seeing You; I'll Get By (As Long as I Have You) I'll Never Be the Same; I'll Never Smile Again; I'll Remember April; I'll See You Again; I'll Take Romance; Ill Wind; I'm a Fool to ...
It's given to you; you sit there and wait and it comes to you. If a song takes longer than thirty minutes or an hour, I usually throw it away. [2] Williams recorded the song on April 21, 1947, at Castle Studio in Nashville with Fred Rose producing the session. Williams recorded the song during his first session with MGM on April 21, 1947.
The song was included in the official soundtrack album of the show. Tammy Wynette's last recording was "In My Room", a duet with Brian Wilson. It was featured as the last track on the album Tammy Wynette Remembered released in September 1998 on Asylum Records. Jacob Collier's cover of "In My Room" was the title track to his debut album released ...
The song starts with "a whipping percussion", before it "transitions into an explosive chorus highlighting Briggs's fierce, soulful-rocker vocals". [5] Vice felt that the song was "seemingly birthed by witches off the Bayou, bearing handclaps like reddening thigh slaps and boasting a topline that allows Bishop to truly exercise her range."
The chord progression and melody in "Creep" are similar to those of the 1972 song "The Air That I Breathe", written by Albert Hammond and Mike Hazlewood. [86] After Rondor Music , the publisher of "The Air That I Breathe", took legal action, Hammond and Hazlewood received cowriting credits and a percentage of the royalties .