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The Myth of Sisyphus (French: Le mythe de Sisyphe) is a 1942 philosophical essay by Albert Camus. Influenced by philosophers such as Søren Kierkegaard , Arthur Schopenhauer , and Friedrich Nietzsche , Camus introduces his philosophy of the absurd .
The Myth of Sisyphus, a 1942 philosophical essay by Albert Camus which uses Sisyphus's punishment as a symbol for the absurd. Sisyphus: The Myth, a 2021 South Korean TV series, which uses the myth as a symbol for its theme. Sisyphus cooling, a cooling technique named after the Sisyphus myth; Syzyfowe prace, a novel by Stefan Żeromski
Camus's thoughts on the Absurd begin with his first cycle of books and the literary essay The Myth of Sisyphus, his major work on the subject. In 1942, he published the story of a man living an absurd life in The Stranger .
Albert Camus writes of dualisms—between happiness and sadness—as well as life and death. In The Myth of Sisyphus , such dualism becomes paradoxical because humans greatly value their existence while at the same time being aware of their mortality .
He was an enthusiast of Proust, Camus and Gide, and was able to transmit his enthusiasm to Americans, contributing to make these and other French authors known in the United States. [5] Among the works of Camus translated by O'Brien are Caligula , [ 6 ] The Fall , [ 7 ] as well as The Myth of Sisyphus and other essays [ 8 ] and Exile and the ...
Notebooks 1935–1942 (1963) is the first of three translated post-mortem editions of the notebooks of Albert Camus. It was translated and edited by Philip Thody, and published by Knopf, New York. The notebooks include aphorisms and other ideas relating to Camus' literary work, and examine themes such as humanism and revolt.
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