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The poem is a Petrarchan sonnet. [13] The title of the poem and the first two lines reference the Greek Colossus of Rhodes, one of the Seven Wonders of the Ancient World, a famously gigantic sculpture that stood beside or straddled the entrance to the harbor of the island of Rhodes in the 3rd century BC. In the poem, Lazarus contrasts that ...
The poem is the base for the motto of Wynberg Allen School in Mussorie, India. It is also the name and motto for the Brampton, Ontario, Canada box lacrosse teams. In 1871 Mr. George Lee, a Brampton High School teacher introduced lacrosse to the town. He proposed the name "Excelsior", which he took from Longfellow's poem.
[15] Carnegie Mellon University English professor Robert J. Gangewere noted how unusual it is for American poets to take a positive view of the relationship between humans and technology at all, and that if the poem is viewed as ironic it "joins the mainstream of antitechnological American verse." [16]
The bigger they are, the harder they fall; The boy is father to the man; The bread never falls but on its buttered side; The child is the father of the man; The cobbler always wears the worst shoes; The comeback is greater than the setback; The course of true love never did run smooth; The customer is always right
Image of a guillotine-style mousetrap seller in the mid-19th century. In February 1855, Emerson wrote in his journal, under the heading "Common Fame": If a man has good corn or wood, or boards, or pigs, to sell, or can make better chairs or knives, crucibles or church organs, than anybody else, you will find a broad hard-beaten road to his house, though it be in the woods.
Roosevelt added clarification to the meaning of the saying. [7] If you simply speak softly the other man will bully you. If you leave your stick at home you will find the other man did not. If you carry the stick only and forget to speak softly in nine cases out of ten, the other man will have a bigger stick.
The rhyme appears in De Morgan's A Budget of Paradoxes (1872) along with a discussion of the possibilities that all particles may be made of clustered smaller particles, "and so down, for ever", and that planets and stars may be particles of some larger universe, "and so up, for ever". [2]
[7] [8] The poem is a monologue in free verse describing his household (a boy reading to him, a woman tending to the kitchen, and the Jewish landlord), and mentioning four others (three with European names and one Japanese) who seem to inhabit the same boarding house. The poem then moves to a more abstract meditation on a kind of spiritual malaise.