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In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. Most of the call and response practices found in modern culture originated in Sub-Saharan Africa. [3]
The call and response format became a diasporic tradition, and it was part of Africans and African Americans creating a new, unique tradition in the United States. [ 3 ] While slave masters encouraged conversion of slaves to Christianity, African slaves still practiced their own form of religious celebration, which was called Slave Christianity .
The call-and-response structure is an intuitive structure that can be found in the music of many cultures. In popular music it can be traced instead to the 4-bar antecedent and consequent structure in classical music, especially since the calls and responses are so intertwined with cadences on the dominant and the tonic, which are derived from ...
The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody. The banjo is a direct descendant of the Akonting created by the Jola people, found in Senegal, Gambia and Guinea-Bissau in West Africa. Hence, the melodic traditions of the African diaspora are probably most alive in blues and jazz.
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Call and Response: The Riverside Anthology of the African American Literary Tradition, a literature anthology; Call and Response, a novel by T. R. Pearson; In music: Call and response (music), a type of musical phrasing or structure "Call-response" or Coro-pregón, a genre of music; Call and Response: The Remix Album (2008), an album by Maroon ...
The anthology, published by the Houghton Mifflin Company, organizes its selections around three themes: the pattern of call and response, the journey toward freedom, and major historical events in the African-American experience. The anthology editors have woven together selections, critical analysis of the texts, historical background, and ...
[40] [41] [72] Ngoma also released Antoine Moundanda's 1953 smash hit "Mwana Aboyi Mama", a lament infused with likembe, guitar, flute, clarinet, and bass, which achieved unprecedented success, becoming the first Congolese rumba song to be awarded the Osborn Award by the Journal of the African Music Society in then-Union of South Africa (now ...