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The Sleeping Beauty (Russian: Спящая красавица, romanized: Spyashchaya krasavitsa listen ⓘ) is a ballet in a prologue and three acts to music by Pyotr Ilyich Tchaikovsky, his Opus 66, completed in 1889. It is the second of his three ballets and, at 160 minutes, his second-longest work in any genre.
Original cast of Tchaikovsky's ballet, The Sleeping Beauty, Saint Petersburg, 1890. Tchaikovsky considered his next ballet, The Sleeping Beauty, one of his finest works, according to Brown. The structure of the scenario proved more successful than that of Swan Lake. While the prologue and first two acts contain a certain number of set dances ...
Tchaikovsky's teacher Anton Rubinstein's opera The Demon became a model for the final tableau of Eugene Onegin. [131] So did Léo Delibes' ballets Coppélia and Sylvia for The Sleeping Beauty [n 14] and Georges Bizet's opera Carmen (a work Tchaikovsky admired tremendously) for The Queen of Spades. [132]
The song's melody is based on the "Grande valse villageoise" (nicknamed "The Garland Waltz"), from the 1890 ballet The Sleeping Beauty by Pyotr Ilyich Tchaikovsky. "Once Upon a Dream" serves as the film's main theme, and as the love theme of Princess Aurora and Prince Phillip.
Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. These, along with two of his four concertos , three of his symphonies and two of his ten operas, are among his most familiar works.
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Ermler was especially noted for his conducting of ballets. He conducted, among others, Swan Lake, Petrushka, The Firebird, The Sleeping Beauty, and The Nutcracker. He made complete recordings of all three of Tchaikovsky's ballets and Prokofiev's Romeo and Juliet with the orchestra of the Royal Opera House, Covent Garden. He became principal ...
This arrangement was initially commissioned by Lucia Chase, the founding director of the Ballet Theatre, in January 1941.The commission consisted of a short arrangement of the four parts composing the No. 25, Pas de deux de l'Oiseau bleu et la Princesse Florine, in Act III of Tchaikovsky's The Sleeping Beauty.