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Dante addresses Brunetto with deep and sorrowful affection, "paying him the highest tribute offered to any sinner in the Inferno", [76] thus refuting suggestions that Dante only placed his enemies in Hell. [77] Dante has great respect for Brunetto and feels spiritual indebtedness to him and his works ("you taught me how man makes himself ...
Dante's orderly vision of hell is in contrast to disorderly, chaotic depictions such as this contemporary fresco by Giotto. Dante's depiction of hell is one of order, unlike contemporary representations which, according to scholar Robin Kirkpatrick, were "pictured as chaos, violence and ugliness". [ 16 ]
[1] It is Virgil, Dante's guide through Hell, who tells Dante "that the inhabitants of the infernal region are those who have lost the good of intellect; the substance of evil, the loss of humanity, intelligence, good will, and the capacity to love." [4] Satan stands at the center because he is the epitome of Dante's Hell.
Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust, where the lustful are punished by being buffeted within an endless tempest.
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
Dante also sees visions with examples of wrath, such as Procne, Haman and Lavinia. [60] When the visions have passed, the Angel of Peace appears to greet them. Again the brightness overpowers Dante's sight, but he hears the angel's invitation to mount to the next terrace and feels a wing brush his forehead, erasing the third "P".
Thus the principal figures of Dante, Virgil and Beatrice often appear several times in an image. [16] There are two additional drawings, a map of Hell preceding Inferno, and a double-page drawing of Lucifer that depicts Dante's and Virgil's descent to Hell. [1]
The scenes from Hell from the film were reused in an American 1936 exploitation film, Hell-O-Vision and the 1944 race film Go Down, Death!. [8] [9] Some American state film censor boards required removal of the hell sequences from L'Inferno used in Go Down, Death!, such as one where a woman's bare breast is momentarily seen. [9]