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In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of music. [2] In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory.
In music theory, retrograde inversion is a musical term that literally means "backwards and upside down": "The inverse of the series is sounded in reverse order." [1] Retrograde reverses the order of the motif's pitches: what was the first pitch becomes the last, and vice versa. [2]
Inversion (music), a term with various meanings in music theory and musical set theory; Inversions by Iain M. Banks; Inversion, a 2012 third person shooter for Xbox 360, PlayStation 3, and PC; Inversions, the 2014 extended play album by American rock music ensemble The Colourist; Inversions, a 2019 album by Belinda O'Hooley
D/F ♯ (alternately notated D major/F ♯ bass) notated in regular notation (on top) and tabulature (below) for a six-string guitar. Play ⓘ.. In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the addition of a slash and the letter of the bass note after the root note letter.
Todd also notes that, by use of retrograde, inversion, and retrograde-inversion, composers of this time viewed music in a way similar to serialists of the 20th century. [17] However, as Edmund Rubbra (1960, p. 35) points out, “This is, of course, a purely mental concept, as music can never do anything but go forwards, even if the given tune ...
Thematic transformation (also known as thematic metamorphosis or thematic development) is a musical technique in which a leitmotif, or theme, is developed by changing the theme by using permutation (transposition or modulation, inversion, and retrograde), augmentation, diminution, and fragmentation.
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The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...