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Paparazzi-produced photos are in high demand among sensationalist magazines and tabloids. The Pirelli Calendar has historically contained images of women—many of whom actresses or models—in sexual or erotic poses. However, due to changing times, Pirelli, an Italian tyre manufacturing firm, has moved away from this kind of photography.
Role-based access control is a policy-neutral access control mechanism defined around roles and privileges. The components of RBAC such as role-permissions, user-role and role-role relationships make it simple to perform user assignments. A study by NIST has demonstrated that RBAC addresses many needs of commercial and government organizations. [4]
Feminist artists, reflecting on these issues in visual form, should be regarded as pioneers of artistic expression on these issues. Feminist art of the 1970s deconstructed images of women which had, for centuries and even millennia, been almost exclusively formulated by men. They created new representations of women in visual art.
In contrast to role-based access control (RBAC), which defines roles that carry a specific set of privileges associated with them and to which subjects are assigned, [4] ReBAC (like ABAC [5]), allows defining more fine-grained permissions. [4]
Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
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Two Tahitian Women (1899) by Paul Gauguin. The word "topless" usually refers to a woman whose breasts, including her areolas and nipples, are exposed to public view. It can describe a woman who appears, poses, or performs with her breasts exposed, such as a "topless model" or "topless dancer", or to an activity undertaken while not wearing a top, such as "topless sunbathing".
A staunch advocate for women's rights, Semmel attended meetings at the Ad Hoc Women Artist's Committee and joined artists including Judy Chicago (born 1939), Miriam Schapiro (1923–2015), Nancy Spero (1926–2009) and Louise Bourgeois (1911–2010), who had all begun to use the female body in their work. Joan was quoted on the topic; "My ...