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Frontispiece illustration of a bust of Lord Byron in the 1824 edition of Don Juan. (Benbow publisher) Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3]
Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
The Shipwreck of Don Juan is an 1840 oil painting by the French artist Eugène Delacroix. [1] It depicts a scene from Lord Byron epic poem Don Juan. [2] Don Juan and others are adrift in the Mediterranean in a ship's boat following a shipwreck. It was exhibited at the Salon of 1841.
The Greeks mourned Lord Byron deeply, and he became a hero. [105] [106] The national poet of Greece, Dionysios Solomos, wrote a poem about the unexpected loss, named To the Death of Lord Byron. [107] Βύρων, the Greek form of "Byron", continues in popularity as a masculine name in Greece, and a suburb of Athens is called Vyronas in his honour.
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The canvas depicts a funeral pyre on a beach in Viareggio, Italy where in 1822 the English Romantic poet Percy Bysshe Shelley's body washed ashore after he drowned while sailing on his schooner "Don Juan" (named after the work by Byron) on the Gulf of Spezia during a storm, he could not swim. The scene it depicts is said to be partially ...
Teresa, Contessa Guiccioli (1800–1873) was an Italian noblewoman and the married lover [2] of Lord Byron while he was living in Ravenna and writing the first five cantos of Don Juan. [3] She wrote the biographical account Lord Byron's Life in Italy. [4]
Lord Byron read Frere's work and saw the potential of the form. He quickly produced Beppo, his first poem to use the form. Shortly after this, Byron began working on his Don Juan (1819–1824), probably the best-known English poem in ottava rima. Byron also used the form for The Vision of Judgment (1822).