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"Evil Ways" is a song made famous by Mexican-American rock band Santana from their 1969 self-titled debut album. It was written by Clarence "Sonny" Henry and originally recorded by jazz percussionist Willie Bobo on his 1967 album Bobo Motion. Alongside Santana's release in 1969, "Evil Ways" was also recorded by the band The Village Callers. [1]
Evil Ways may refer to: "Evil Ways" (Drake song) "Evil Ways" (Santana song) This page was last edited on 16 December 2023, at 00:16 (UTC). Text is available under ...
"Evil Ways" is a song by Canadian rapper Drake from For All the Dogs Scary Hours Edition (2023), a reissue of his eighth studio album For All the Dogs (2023). It features American rapper J. Cole and was produced by Vinylz , Boi-1da , FnZ and Fierce.
"D.A.N.C.E." is the second single by French electronic music duo Justice and the first from their album †. It includes edited and extended versions of "D.A.N.C.E", a rougher mix in the style of their earlier releases, "B.E.A.T", and the track "Phantom" which was previously issued in limited quantities twice on 12" vinyl preceding the release of "D.A.N.C.E.".
"Evil" is a song by American rapper Eminem from his twelfth studio album The Death of Slim Shady (Coup de Grâce) (2024). It was produced by Don Cannon , Cubeatz and Eminem himself. Composition
Directed by So-Me, Yorgo Tloupas, and Machine Molle, [1] the music video is a highly stylized partial lyric video, featuring portions of the song's lyrics in the form of famous animated company logo graphics from the era of Scanimate and early CGI.
Lyrics for the original Hindi version of the soundtrack have been given by Navneet Virk, Dilshaad Shabbir Shaikh, Abhay Jodhpurkar, Munna Shaukat, Mashook Rahman and Raftaar. Madhan Karky , Thamarai , Kabilan , Kalpradaa, Rakendu mouli and Ananta Sriram were brought in to write lyrics for the respective Tamil and Telugu versions of the soundtrack.
Billboard praised the use of the title lyrics as a hook. [8] Cash Box noted the 20th-century influences and "commercial qualities" of the song, stating "from the classic hookline — a recurring four notes from 'Anchors Aweigh,' through an electronic schism from a dramatic TV serial two-thirds of the way through."