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Folded late 18th century English loo table with Japanese motifs. A Tip-top table is a folding table with the tabletop hinged so it can be placed into a vertical position when not used to save space. It is also called tilt-top table, tip table, [1] snap table [2] [3] some variations are known as tea table, loo table.
It came into use in the 18th century. They were commonly made of iron or brass and were most often used in the home or workshop. These lamps burned fish oil or fat trimmings and had wicks of twisted cloth. The Betty lamp differs from earlier oil/grease lamps in that it uses an internal wick holder to eliminate fuel drip common with older lamp ...
MCM chalkware lamps were often romantic and exotic with a focus on the idealized beauty of historic, natural, and abstract designs. Common motifs were dancers (often sold as a male and female pair), innocent or sensual figures, trees, flowers, animals, zig-zags, waves and modern abstract sculpture typical of the period.
Toleware coffee pot, circa 1940. The term tôle, derived from the French tôle peinte, "painted sheet metal", is synonymous in English usage with japanning on tin, [1] such as the tôle shades for bouillotte lamps and other candle shades, and trays and lidded canisters, in which stenciling and gilding often features, almost always on a black ground.
In the orrery demonstration the shadows cast by the lamp representing the sun were an essential part of the display. But there seems no reason other than heightened drama to stage the air pump experiment in a room lit by a single candle, and in two later paintings of the subject by Charles-Amédée-Philippe van Loo the lighting is normal. [5]
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
The Argand lamp is a type of oil lamp invented in 1780 by Aimé Argand. Its output is 6 to 10 candelas , brighter than that of earlier lamps. Its more complete combustion of the candle wick and oil than in other lamps required much less frequent trimming of the wick.
This lamp was the most important article of furniture for the Inuit, Yupik and other Inuit peoples. [9] The lamps were made of stone and their sizes and shapes of lamps could be different, but mostly were elliptical or half-moon shaped. The wicks were mostly made of dried moss or cottongrass and were lit along the edge of the lamp. A slab of ...