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The song begins with Elphaba screaming "Fiyero" but instead of being an unhitched scream, she actually sings a high note that is a minor second above the tonal centre of the song. This creates the effect of a scream, as the note is very high and dissonant, but it is much more controlled and musical than an actual scream. [2]
The book and musical could be distilled to the same plot summary: Behold, the unexpected backstory of Elphaba, the Wicked Witch of the West, and Glinda the Good.
"The Wizard and I" features the "Unlimited" theme present throughout the musical. In this piece, Elphaba prophesizes a celebration throughout Oz regarding her, though she does not know it regards her "death" at the end of the musical, after being "melted" by Dorothy, which Elphaba ironically sings about in saying that she is "so happy I could melt."
Wicked is a musical with music and lyrics by Stephen Schwartz and a book by Winnie Holzman.It is a loose adaptation of the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, which in turn is based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaptation.
For the second part of “Wicked,” Erivo worked closely with composer Stephen Schwartz to create an original song for Elphaba. “I collaborated on one of the new songs, and it’s so special to ...
The lineage of Elphabas begins in 2000, not with Menzel, who won a Tony for her performance, but with Stephanie J. Block. She was a part of early workshops with composer Stephen Schwartz and book ...
"As Long as You're Mine" is a song from the second act of the musical Wicked (2003) by Stephen Schwartz. It is a duet between Elphaba, the Wicked Witch of the West, and Fiyero, with whom she is in love. It was originally performed by Idina Menzel and Norbert Leo Butz, who played the roles of Elphaba and Fiyero, respectively, in the original ...
"Wicked," the movie, is based on "Wicked," the hit 2003 Broadway musical. Cynthia Erivo and Ariana Grande play Elphaba and Glinda, roles originated by Idina Menzel and Kristin Chenoweth.