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A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato: carved subject: A musical cryptogram, using coded syllables as a basis for ...
Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...
Italian music terminology consists of words and phrases used in the discussion of the music of Italy. Some Italian music terms are derived from the common Italian language. Others come from Spanish, or Neapolitan, Sicilian, Sardinian or other regional languages of Italy. The terms listed here describe a genre, song form, dance, instrument ...
In music centonization (from Latin cento or patchwork [1]) is a theory about the composition of a melody, melodies, or piece based on pre-existing melodic figures and formulas. [2] A piece created using centonization is known as a "centonate". [1]
Italian music has been held up in high esteem in history and many pieces of Italian music are considered high art. More than other elements of Italian culture, music is generally eclectic, but unique from other nations' music. The country's historical contributions to music are also an important part of national pride.
Frederick II, the last great Hohenstaufen Holy Roman Emperor and King of Sicily, encouraged music at the Sicilian court, which became a refuge for these displaced troubadours, where they contributed to a melting pot of Christian, Jewish, and Muslim musical styles. Italian secular music was largely the province of these jongleurs, troubadors ...
The Trecento Madrigal is an Italian musical form of the 14th century. It is quite distinct from the madrigal of the Renaissance and early Baroque , with which it shares only the name. The madrigal of the Trecento flourished ca. 1340–1370 with a short revival near 1400.
The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important ...