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The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
Jhoti chita (Odia: ଝୋଟି ଚିତା, romanized: jhoṭi citā) is a traditional Odia white art mostly shown in rural areas of Odisha. It is made from rice paste and with a piece of cloth surrounded with a stick is used to create beautiful patterns. [1] People also use their bare fingers to make jhoti chita. They can be created over ...
Sequence diagram of the copy-paste operation. The term "copy-and-paste" refers to the popular, simple method of reproducing text or other data from a source to a destination. It differs from cut and paste in that the original source text or data does not get deleted or removed.
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
A simple smiley. This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons.Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art.
Paste paper used as a book covering, c. 1749. Paste paper is a type of surface design in which a colored, viscous media (generally starch paste) is applied directly to the surface of a paper sheet and modified with various tools and techniques to render an array of patterns and effects.
In all braille systems, the braille pattern dots-0 is used to represent a space or the lack of content. [1] In particular some fonts display the character as a fixed-width blank. However, the Unicode standard explicitly states that it does not act as a space, [ 2 ] a statement added in response to a comment that it should be treated as a space.
The layout process then became the task of creating the paste up, so named because rubber cement or another adhesive would be used to physically paste images and columns of text onto a rigid sheet of paper. Completed pages become known as camera-ready, "mechanical" or "mechanical art".