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Nacre (/ ˈ n eɪ k ər / NAY-kər, also / ˈ n æ k r ə / NAK-rə), [1] also known as mother-of-pearl, is an organic–inorganic composite material produced by some molluscs as an inner shell layer. It is also the material of which pearls are composed. It is strong, resilient, and iridescent.
Today overglaze decoration is much less commonly used, other than in traditionalist wares, as the range of colours available in underglaze has greatly expanded. Overglazes called "lusters" are still used for achieving special effects, such as iridescence of mother-of-pearl overglazes or metallic look of overglazes made with metal (eg. gold ...
Lustreware or lusterware (the respective spellings for British English and American English) is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction kiln ...
The very term 'Najeonchilgi' is a combination of two particular words: 'najeon'– mother-of-pearl and ‘chilgi’ which refers to lacquerware. ‘najeon’ refers to the composite material which forms the inner shiny shell layer. [1] Korean craftsmen generally use the processed abalone shells.
The flowers are abalone shell inlays, Tokyo National Museum Inrō, Design of minute patterns in mother-of-pearl inlay, Somada school characterized by a combination of raden and makie techniques, Edo period, 19th century, Tokyo National Museum. Raden (螺鈿) is a Japanese term [1] for one of the decorative techniques used in traditional crafts ...
These pearl oysters have a strong inner shell layer composed of nacre, also known as "mother of pearl". Pearl oysters are not closely related to either the edible oysters of family Ostreidae or the freshwater pearl mussels of the families Unionidae and Margaritiferidae.
At first, Pearl is trying her best to help her disapproving mother, Ruth, care for her father (Matthew Sunderland), who has fallen victim to the influenza pandemic.
De Hooch's mastery of light is evident in the play of sunlight across different surfaces, particularly in the rendering of translucent curtains and glass panes. The subdued color palette against a grey background, blended with white, contributes to the mother-of-pearl tone of the painting, heightening the overall visual impact.