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Plackart covering most of a cuirass breastplate. A plackart (also spelt placcard, planckart or placcate) [1] is a piece of medieval and Renaissance era armour, initially covering the lower half of the front torso. It was a plate reinforcement that composed the bottom part of the front of a medieval breastplate. [2]
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
Man's Breastplate, Crow (Native American), 1880–1900, Brooklyn Museum Left Hand Bear, an Oglala Lakota chief, wearing a hair-pipe breastplate, Omaha, 1898. The hair-pipe breastplates of 19th-century Interior Plains people were made from the West Indian conch , brought to New York docks as ballast and then traded to Native Americans of the ...
This stayed close to the Greco-Roman pattern, especially for officers (see Gallery section for example). A breastplate of armour, under which the bottom of a short tunic appeared as a skirt, often overlaid with a fringe of leather straps, the pteruges. Similar strips covered the upper arms, below round armour shoulder-pieces.
The ethnolinguistic heritage is recognized as Muskogean and Siouan. It was inhabited from A.D. 1250 to the late 17th century. When the Spanish conquistador, Hernando De Soto, and his men encountered the area in 1540, Cofitachequi extended east to the towns of Llapi and Ylasi close to the Pee Dee River.
After about 1340, the plates covering the chest were combined to form an early breastplate, replacing the coat of plates. [3] After 1370, the breastplate covered the entire torso. [3] Different forms of the coat of plates, known as the brigandine and jack of plates, remained in use until the late 16th century. [2]
Ichcahuipilli were made of successive layers of packed cotton and cloth, at least one inch thick, and sewn in diamond-shaped patterns. Wearers usually wore the ichcahuipilli directly on their skin, however, the most experienced warriors, especially those of the orders of eagle and jaguar warriors , used it to complement a tlahuiztli suit.
Palestinian costumes reflected differences in the physical and social mobility enjoyed by men and women in these different groups in Palestinian society. The villagers, referred to in Arabic as fellaheen , lived in relative isolation, so that the older, more traditional costume designs were found most frequently in the dress of village women.