Search results
Results From The WOW.Com Content Network
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
Apparition of the Virgin to St Bernard (1504–1507), Uffizi. Fra Bartolomeo or Bartolommeo OP (UK: / ˌ b ɑːr t ɒ l ə ˈ m eɪ oʊ /, US: /-t oʊ l-/, Italian: [bartolo(m)ˈmɛːo]; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, [1] Bartolommeo di San Marco, [2] Paolo di Jacopo del Fattorino, and his original nickname Baccio della Porta, [2] was an Italian ...
The original design of the fountain was carried out by Giacomo della Porta in the 1570s. [1] Its function was to hold water from the Acqua Vergine aqueduct. [1] Ludovico Rossi was the original stone-carver who created the basins in 1575 and later the balustrades, a row of column-like objects topped with a railing, made from travertine in 1577.
Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.