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The statuette consists of three parts: the horse, the rider's body with the saddle, and the rider's head. It has a total height of 24 cm. The rider is depicted with a moustache, an open crown on his head, a sword in his right hand (lost), an imperial orb in his left hand, and a riding cloak fastened with a fibula. It was most likely made around ...
Horse and Rider is a 2014 sculpture by American artist Charles Ray. [1] As of June 2015, the equestrian self-portrait was installed in the Art Institute of Chicago's South McCormick Courtyard, in the U.S. state of Illinois. The work is part of "Charles Ray: Sculpture 1997–2014". [2] [3]
The sculpture depicts a man riding on a horse, naked and barefoot, without tack – no saddle, bridle, or other riding equipment. The man's right hand rests on the horse's stylised mane, with his left hand resting on the horse's left flank. The horse is standing still on four legs, ready to walk, on a rough bronze base.
General John A. Logan, by Augustus Saint-Gaudens (Logan) and Alexander Phimister Proctor (horse), Grant Park (Chicago), 1897. Thaddeus Kosciuszko, by Kasmir Chodzinski, Burnham Park (Chicago), 1904. George Washington Memorial, by Daniel Chester French (Washington) and Edward Clark Potter (horse), Washington Park, 1900, this cast 1903. A replica ...
The sculpture is titled Business Man on Horse. [24] The sculpture does not portray a specific individual. — Yorkton, Saskatchewan: 2010 Lionel Peyachew Located on the grounds of Painted Hand Casino. The sculpture is titled Counting Coup, named after a practice with warriors of the First Nations of the Canadian Prairies. [25]
Beasley is known for sculpture that incorporates found materials - especially clothing - and casting materials like resin and foam. [3] While these materials cure or set into their final state, Beasley works them with his body, a process that points to his interest in sculpture that traces of the artist's body while retaining a bodily, fleshy quality of its own. [1]
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Bleu horses installation as seen from Highway 287. The sculptures are realistic enough to appear live from a distance, but are intended to be somewhat "impressionistic." To emphasize the elegance of the horse, the legs of the horse sculptures are one-third longer than those of real horses, [7] and they average 8 feet (2.4 m) high at the withers. [6]