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In the 1950s, the Beat Generation were politically radical and to some degree their anti-authoritarian attitudes were taken up by activists in the 1960s. [4] In the 1970s, anti-authoritarianism became associated with the punk subculture .
The authoritarian personality is a personality type characterized by a disposition to treat authority figures with unquestioning obedience and respect.Conceptually, the term authoritarian personality originated from the writings of Erich Fromm, and usually is applied to people who exhibit a strict and oppressive personality towards their subordinates. [1]
The difference between the two and the justification for the consideration of regality theory over authoritarian personality theory is that regality theory allows for greater empirical research via statistical analysis of causal relationships as well as regality theory's better avoidance of political bias. [1] [2] [19] [20]
The Authoritarian Personality has often provoked polarized responses: "The Berkeley study of authoritarian personality does not leave many people indifferent". [24] The study "has been subjected to considerable criticism" [25] since the 1950s, particularly for various methodological flaws, including sample bias and poor psychometric techniques.
Additionally, she noted that a liberal, non-authoritarian personality was not the opposite of a high authoritarian personality. Rather, anomie, a disorganized and detached social style was the opposite of the high authoritarian, exhibiting a curvilinear relationship.
Illustration of the triad. The dark triad is a psychological theory of personality, first published by Delroy L. Paulhus and Kevin M. Williams in 2002, [1] that describes three notably offensive, but non-pathological personality types: Machiavellianism, sub-clinical narcissism, and sub-clinical psychopathy.
The right-wing authoritarian was defined by Bob Altemeyer as a refinement of the research of Theodor Adorno. Adorno was the first to propose the existence of an authoritarian personality as part of an attempt to explain the rise of fascism and the Holocaust, but his theory fell into disfavor because it was associated with Freudian ...
Adorno's work has had a large impact on cultural criticism, particularly through Adorno's analysis of popular culture and the culture industry. [10] Adorno's account of dialectics has influenced Joel Kovel, [11] the sociologist and philosopher John Holloway, the anarcho-primitivist philosopher John Zerzan, [12] the sociologist Boike Rehbein, [13] and the Austrian musicologist Sebastian Wedler.