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The Sousa Archives and Center for American Music holds the Paul Price Percussion Music and Papers, 1961–1982, [3] which consists of percussion sheet music, sound recordings, and correspondence documenting Price's career as a percussion musician, and conductor of the Manhattan Percussion Ensemble.
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
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Ionisation (1929–1931) is a musical composition by Edgard Varèse written for thirteen percussionists.It was among the first concert hall compositions for percussion ensemble alone, although Alexander Tcherepnin had composed an entire movement for percussion alone in his Symphony No. 1 from 1927. [1]
27'10.554" For a Percussionist, for percussion (January 14, 1956) Music for Piano 53–68, for piano solo or in an ensemble (May 1956) Music for Piano 69–84, for piano solo or in an ensemble (May 1956) Radio Music, for 1 to 8 performers using radios (May 1956) Winter Music, for piano (January 1957)
Concerto for Organ with Percussion Orchestra (1972–3) for organ with ten person ensemble of celesta, piano, glockenspiel, vibraphone, tubular chimes, and percussion quintet on various unpitched standard and "found" percussion instruments. Serenade for Guitar with optional Percussion (1978) for mixed duo, guitar solo; String Quartet Set (1978)