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Ancient Greek units of measurement varied according to location and epoch. Systems of ancient weights and measures evolved as needs changed; Solon and other lawgivers also reformed them en bloc . [ citation needed ] Some units of measurement were found to be convenient for trade within the Mediterranean region and these units became ...
This scale is known as the Pythagorean diatonic and is the scale that Plato adopted in the construction of the world soul in the Timaeus (36a-b). [12] The next notable Pythagorean theorist known today is Archytas, contemporary and friend of Plato, who explained the use of arithmetic, geometric and harmonic means in tuning musical instruments.
Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek tonoi do not otherwise resemble their medieval/modern counterparts. Previously, in the Middle Ages the term modus was used to describe intervals, individual notes, and rhythms (see § Mode as a general concept ).
Traditional Greek units of measurement were standardized and used in modern Greece before and alongside the adoption of the metric system in 1836. Metric units were finally made legally compulsory in 1922. [1] [2]
The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself.
Sumerian tablet with measurement glyphs. The talent (Ancient Greek: τάλαντον, talanton, Latin talentum) was a unit of weight used in the ancient world, often used for weighing gold and silver, but also mentioned in connection with other metals, ivory, [1] and frankincense.
The scale and scope of warfare in ancient Greece changed dramatically as a result of the Greco-Persian Wars. To fight the enormous armies of the Achaemenid Empire was effectively beyond the capabilities of a single city-state. The eventual triumph of the Greeks was achieved by alliances of city-states (the exact composition changing over time ...
Locrian is the word used to describe an ancient Greek tribe that habited the three regions of Locris. [1] Although the term occurs in several classical authors on music theory, including Cleonides (as an octave species) and Athenaeus (as an obsolete harmonia), there is no warrant for the modern use of Locrian as equivalent to Glarean's hyperaeolian mode, in either classical, Renaissance, or ...