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The toledot of heaven and earth (Genesis 1:1–4:26) The Genesis creation narrative (the combined Hexameron or six-day cosmic creation-story of Genesis 1 and the human-focused creation-story of Genesis 2) The Eden narrative (the story of Adam and Eve and how they came to be expelled from God's presence) Cain and Abel and the first murder
Expulsion from Paradise, painting by James Tissot (c. 1896–1902) The Expulsion illustrated in the English Junius manuscript, c. 1000 CE. The second part of the Genesis creation narrative, Genesis 2:4–3:24, opens with YHWH-Elohim (translated here "the Lord God") [a] creating the first man (), whom he placed in a garden that he planted "eastward in Eden": [22]
Genesis 1:1–2:3 In the beginning (prologue) Genesis 2:4–4:26 Toledot of Heaven and Earth (narrative) Genesis 5:1–6:8 Toledot of Adam (genealogy, see Generations of Adam) Genesis 6:9–9:29 Toledot of Noah (Genesis flood narrative) Genesis 10:1–11:9 Toledot of Noah's sons Shem, Ham, and Japheth (genealogy) Genesis 11:10–26 Toledot of ...
The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story, [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two stories drawn from different sources.
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Rivers of Paradise flowing underneath the feet of Lamb of God (mosaic in Santi Cosma e Damiano, ca. 530 AD). Following Saint Ambrose [2] (per Cohen, [11] the association was established earlier, in a letter by Cyprian in 256 AD) the rivers are interpreted as four evangelists (or Gospels), with Water of Life flowing from the word of Christ (the Fountain of Life [11]) to bring salvation.
John Speed's Genealogies recorded in the Sacred Scriptures (1611), bound into first King James Bible in quarto size (1612). The title of the first edition of the translation, in Early Modern English, was "THE HOLY BIBLE, Conteyning the Old Teſtament, AND THE NEW: Newly Tranſlated out of the Originall tongues: & with the former Tranſlations diligently compared and reuiſed, by his Maiesties ...
The supplementary approach was dominant by the early 1860s, but it was challenged by an important book published by Hermann Hupfeld in 1853, who argued that the Pentateuch was made up of four documentary sources, the Priestly, Yahwist, and Elohist intertwined in Genesis-Exodus-Leviticus-Numbers, and the stand-alone source of Deuteronomy. [22]