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An example of a simple ziggurat is the White Temple of Uruk, in ancient Sumer. The ziggurat itself is the base on which the White Temple is set. Its purpose is to get the temple closer to the heavens, [citation needed] and provide access from the ground to it via steps. The Mesopotamians believed that these pyramid temples connected heaven and ...
The ziggurat was a piece in a temple complex that served as an administrative center for the city, and which was a shrine of the moon god Nanna, the patron deity of Ur. [ 6 ] The construction of the ziggurat was finished in the 21st century BC by King Shulgi , who, in order to win the allegiance of cities, proclaimed himself a god.
The ziggurat originally measured 105.2 metres (345 ft) on each side and about 53 metres (174 ft) in height, in five levels, and was crowned with a temple. Mud brick was the basic material of the whole ensemble.
The White Temple could be seen from a great distance across the plain of Sumer, as it was elevated 21 m and covered in gypsum plaster which reflected sunlight like a mirror. In addition to this temple the Anu Ziggurat had a monumental limestone-paved staircase and a trough running parallel to the staircase was used to drain the ziggurat.
The main elements, ziggurat, palaces, etc. are all within the city wall. The currently known structures of the site consist of nine temples (T1 to T9), with T1 being the ziggurat and associated temple to Enlil, three palaces (P1 to T3), and five housing areas (H1 to H5) [14] The site was visited by Bengt Bengtsson Oxenstierna in 1616. [15]
'Temple of the Foundation of Heaven and Earth') was a ziggurat dedicated to the Mesopotamian god Marduk in the ancient city of Babylon. It now exists only in ruins, located about 90 kilometres (56 mi) south of Baghdad, Iraq. Many scholars have identified Etemenanki as a likely inspiration for the biblical story of the Tower of Babel. [1] [2]
The Ziggurat of Ur is the best example of this style. Another change in temple design in this period was a straight as opposed to bent-axis approach to the temple. Ur-Nammu's ziggurat at Ur was designed as a three-stage construction, but today only two of these survive.
Eridu was active during the Third Dynasty of Ur (22nd to 21st century BC) and royal building activity is known from inscribed bricks notably those of Ur-Nammu from his ziggurat marked "Ur-Nammu, king of Ur, the one who built the temple of the god Enki in Eridu."