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In 1964, comedian singer Allan Sherman recorded "Pop Hates the Beatles", a novelty song to the tune of "Pop Goes the Weasel" that condemns The Beatles with lyrics such as, "Ringo is the one with the drums / The others all play with him / It shows you what a boy can become / without a sense of rhythm."
"Pop Goes the Weasel" is a single by American hip hop trio 3rd Bass; it appears on their second album, Derelicts of Dialect (1991). The song samples "You Haven't Done Nothin'" by Stevie Wonder as well as Peter Gabriel's hit, "Sledgehammer" and “Eminence Front” by the Who. [2] Production came from John Gamble, Geeby Dajani, and Dante Ross. [3]
3rd Bass's 1991 follow-up, Derelicts of Dialect, had a new target in fellow white rapper Vanilla Ice, who was the focal point of several tracks on the album, most notably "Pop Goes the Weasel". The track depicted Ice as a culture thief who watered down the sound of rap in order to pander to a mainstream audience, while depicting 3rd Bass as ...
The album is considered to be a critical success (explicitly not aimed toward a mainstream market), and gained publicity by featuring the surprise mainstream hit "Pop Goes the Weasel", a diss track towards Vanilla Ice. The music video features former Black Flag frontman Henry Rollins as Ice. X Clan is dissed on songs such as "Herbalz in Your ...
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Also, at some point in each act, the Weasel would suddenly appear on the scene and say, "Pop, Goes the Weasel!" for a total of five times. At the end of the show he said, "Goodbye, Goes the Weasel!"
In 1938 The Merry Macs signed with Decca Records and recorded "Pop Goes the Weasel". The Merry Macs (with Carroll) sang a swing version of "Down by the Old Mill Stream" in the 1939 Vitaphone musical Seeing Red, Red Skelton's first film. In 1939, Mary Lou Cook (1908–2008) [2] replaced Helen Carroll. [3]
Beginning in 1964, Sherman was among many American acts whose sales were affected badly by the British Invasion (which Sherman skewered in the song "Pop Hates the Beatles", a spoof of "Pop! Goes the Weasel"). By 1965, Sherman had released two albums that did not make the Top 50 and in 1966, Warner Bros. Records dropped him from the roster.