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After their last non-album single, 1983’s “The Lovecats,” became their first Top Ten hit in the UK though, the Cure followed it with The Top, a playful and eclectic album that features Smith ...
A quantity of 3250 were pressed. The release does not include the content of the Acoustic Hits disc, [8] which was given its own standalone release on standard black vinyl. On 5 July 2019, the album reached a new peak of number 19 in the UK Albums Chart following the Cure's headline set at that year's Glastonbury Festival.
The Cure's debut album, Three Imaginary Boys (1979), reached number 44 on the UK Albums Chart. [5] The next two albums, Seventeen Seconds (1980) and Faith (1981), were top 20 hits in the UK, reaching number 20 and number 14 respectively. [5] Between 1982 and 1996, the Cure released seven studio albums, all of which reached the Top 10 in the UK. [5]
"A Forest" and its parent album Seventeen Seconds are representative of The Cure's gothic rock phase in the late 1970s and 1980s. [1] [4] The song has also been described as a post-punk track. [5] [6] Cure biographer Jeff Apter refers to "A Forest" as "the definitive early Cure mood piece" and argues the song is the centrepiece of the album ...
The British legends' first album in 16 years unfurls like a brooding, gorgeous sequel to their gothic magnum opus, Disintegration. Decades on, frontman Robert Smith's vocals are still commanding ...
The most recent two Cure albums came out via America on Geffen, but Polydor Label Group President Ben Mortimer says he made it his “mission” to bring the band back to the record company ...
Upon release as a single, "Never Enough" topped the Billboard Modern Rock Tracks chart for three weeks, and reached number 13 in the United Kingdom. [4] The song was re-recorded using acoustic guitars for the 2001 Acoustic Hits album, which contains re-recordings of songs by the band, and was released as a bonus disc to Greatest Hits.
If I told you 40 years ago, when the Cure was in the midst of its new-wave wonder moment, that the band would craft an inventively elegiac epic like “Songs for a Lost World” — a singular ...