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Count Bleck in Super Paper Mario; Fernando Martinez from the Grand Theft Auto series addresses himself in both first and third-person. [108] Slackjaw in Dishonored; Renne Bright from the Trails series refers to herself in the third person, most notably in her debut game The Legend of Heroes: Trails in the Sky SC
Third Persona is "the 'it' that is not present, that is objectified in a way that 'you' and 'I' are not." [ 1 ] Third Persona, as a theory, seeks to define and critique the rules of rhetoric, to further consider how we talk about what we talk about—the discourse of discourse—and who is affected by that discourse. [ 2 ]
The extra categories may be termed fourth person, fifth person, etc. Such terms are not absolute but can refer, depending on context, to any of several phenomena. Some Algonquian languages and Salishan languages divide the category of third person into two parts: proximate for a more topical third person, and obviative for a less topical third ...
The third-person effect [1] hypothesis predicts that people tend to perceive that mass media messages have a greater effect on others than on themselves, based on personal biases. The third-person effect manifests itself through an individual's overestimation of the effect of a mass communicated message on the generalized other, or an ...
A third-party source is a source that isn't involved in the event. The third party is generally expected to be an independent, outside observer. It is common for the third party to be neutral and even-handed, but, in some instances, the third party may have strong opinions about the event. However, they take no direct part in the event.
An obviative/proximate system has a different way of distinguishing between multiple third-person referents. When there is more than one third person named in a sentence or discourse context, the most important, salient, or topical is marked as "proximate" and any other, less salient entities are marked as "obviative".
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Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]