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Dylan has long admired Jimmy Reed, covering "Baby What You Want Me to Do" during the Infidels sessions in 1983 (an outtake of which was officially released on The Bootleg Series Vol. 16: Springtime in New York 1980–1985 in 2021) and again with Tom Petty and the Heartbreakers during rehearsals for Farm Aid in 1985 (a video recording of which is extant); and he played "Bright Lights, Big City ...
The lyrics are comparable to later Dylan songs "High Water (For Charley Patton)" [5] and "Goodbye Jimmy Reed" [6] in that they pay tribute to the titular blues singer indirectly. Dylan sings a series of plaintive verses depicting allegorical scenes which reflect on the history of American music and slavery .
"Goodbye Jimmy Reed" "Mother of Muses" "Crossing the Rubicon" ... 289–290 The lyrics also reference several locations in of Key West, Florida, ...
Reed maintained his reputation despite his rampant alcoholism; his wife sometimes had to help him remember the lyrics to his songs while recording. [1] In 1957, Reed developed epilepsy , though the condition was not correctly diagnosed for a long time, as Reed and doctors assumed it was delirium tremens . [ 4 ]
Goodbye Jimmy Reed: Dylan Rough and Rowdy Ways: 2020 1986: Got My Mind Made Up: Dylan, Tom Petty: Knocked Out Loaded: 1986: 1979: Gotta Serve Somebody: Dylan: Slow Train Coming: 1979: 1984 Gravity Song Dylan Unreleased 1984 Empire Burlesque outtake N/A The Great Chicagoan Dylan Unreleased N/A Written in 1961. Exists in manuscript form only [49 ...
Like the mournful dawn that crosses the sky during the Eagles’ 1973 mellow, moody “Tequila Sunrise,” a goodbye is always imminent. With that, after nearly six decades of countrified ballads ...
Kenny Chesney, Jimmy Buffett , Alan Jackson. Getty Images (3) Fans were transported to Margaritaville during the 2023 CMA Awards’ tribute to Jimmy Buffett following his death earlier this fall.
Lyrically, "High Water (For Charley Patton)" is similar to Dylan's 1983 song "Blind Willie McTell" [7] and his 2020 song "Goodbye Jimmy Reed" [8] in that it pays tribute to the titular blues singer only indirectly.