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Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. [1] The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro ...
This category is for musicians of the genre, and not an indicator of cultural identity. See also. Afro-Cuban jazz; Category:Afro-Cuban jazz composers; Category:Afro-Cuban jazz ensembles; Category:Afro-Cuban jazz bandleaders; Category:Latin jazz musicians
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
As a result, Machito's music greatly inspired such United States jazz musicians as Dizzy Gillespie, Charlie Parker and Stan Kenton. One of the items in the Kenton orchestra's repertoire was an idiomatic Afro-Cuban number known as "Machito", composed by Stan Kenton with Pete Rugolo and released as a Capitol 78 in 1947. Machito and Graciela in 1947
Afro-Cuban jazz musicians (1 C, 6 P) Afro-Cuban jazz albums (6 C, 8 P) Pages in category "Afro-Cuban jazz" The following 5 pages are in this category, out of 5 total.
Arturo "Chico" O'Farrill (October 28, 1921 [1] – June 27, 2001) [2] was a Cuban composer, arranger, and conductor, best known for his work in the Latin idiom, specifically Afro-Cuban jazz or "Cubop", although he also composed traditional jazz pieces and even symphonic works.
Arturo O'Farrill was born in Mexico City, Mexico, to Lupe Valero and Chico O'Farrill on June 22, 1960. [5] His mother Lupe was a singer from Mexico, and his father Chico was a jazz trumpeter and composer originally from Havana, Cuba.
Cándido Camero Guerra (22 April 1921 – 7 November 2020), known simply as Cándido, was a Cuban conga and bongo player. He is considered a pioneer of Afro-Cuban jazz and an innovator in conga drumming. [1]