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The historical development of the Nepalese handicraft industry is very old although has its rise and falls. According to the reference found in Kautilya's Economics about various productions and exports from Nepal, during the time of Chandra Gupta Mouriya, in the fourth century, Nepal was known for quality rainproof woolen blanket woolen blankets.
A distinctive 109th "guru bead" or mother bead, which is not counted, is very common. [2] Mala beads have traditionally been made of a variety of materials such as wood, stone, gems, seeds, bone and precious metals—with various religions often favouring certain materials—and strung with natural fibres such as cotton, silk, or animal hair.
Kandi bracelets have kandi-specific terms to describe them. [3] Stitch is an umbrella term regarding the specific types of kandi; the three most common stitches are multistitch (even tubular peyote stitch), flat peyote stitch (even and odd), and x base. [3] Cuffs are any form of kandi bracelet that uses multiple rows of beads. [3]
From period I A at Bañjarāhī the red-slipped ware has a red core with a bright red slip on it. It is made of purer clay. There is a fragment of a high-necked pot with flared ends. The other fragment of a basin with a red wash on its surface and convex sides and a beaded out rim is also reported from this site. Late Grey Ware
Bangles are circular in shape, and, unlike other bracelets, are not flexible. The word is derived from Hindi bungri (glass). [ 3 ] They are made of numerous precious as well as non-precious materials such as gold , silver , platinum , glass , wood , ferrous metals , plastic , etc. Bangles made from sea shell, which are white colour, are worn by ...
Chura bangles are often paired with pote (beaded necklace). [8] Chura bangle sets are also worn during Teej celebrations as is evident from Nepali Teej songs like "Chura Tika Laali". Odia and Bengali Shakha Pola chura